Italian Early Renaissance Painter, 1474-1515 Italian painter. Albertinelli's contribution to the Florentine High Renaissance was inspired by the work of FRA BARTOLOMMEO, and the two artists worked together in a partnership, their paintings appearing to be the product of a single hand. Albertinelli, however, always retained artistic independence, as is revealed in certain paintings that are eccentrically archaic and in others that show a preference for conventions more typical of the early Renaissance.   Related Paintings of ALBERTINELLI Mariotto :. | Assumption of the Virgin,detail with the Assumption | Unusual combination of | The Cat | Painting with Cattle (mk34) | Bust of Rembrandt. |
Related Artists:
Friedrich von Amerling
Austrian Academic Painter, 1803-1887,Austrian painter. He came from a family of craftsmen and studied (1815-24) at the Akademie der bildenden Kenste, Vienna, where one of his teachers was the conservative history painter Hubert Maurer (1738-1818). From 1824 to 1826 he attended the Academy in Prague, where he was taught by Josef Bergler. In 1827 and 1828 Amerling stayed in London, and he met the portrait painter Sir Thomas Lawrence, whose work was to be a strong influence on Amerling's painting during the next two decades. Amerling also travelled to Paris and Rome but was recalled to Vienna on an official commission to paint a life-size portrait of the emperor Francis I of Austria (Vienna, Ksthist. Mus.). With this work,
Charles De Groux
painted The drunkard in 1853
William Henry Pyne
English Painter, 1769-1843 English painter, illustrator and writer. He trained at the drawing academy of Henry Pars (c. 1733-1806) in London and first exhibited at the Royal Academy in 1790. His drawings were almost always pen, ink and colour wash (e.g. Gossip at the Cottage Door, 1794; London, BM). His most characteristic works are the illustrations for the books Microcosm (1803-8) and The Costume of Great Britain (1808) in which he successfully placed groups of well-observed characters in picturesque settings. Pyne had been a founder of the Old Water-Colour Society in 1804 but resigned in 1809 when it refused to increase its membership to greater than 24 artists.